I wish I could take credit for some of the shots in this video because it came together pretty well at the last minute.  I do get to take credit for all of the post production since I was responsible for everything that happened after they handed over the raw ProRes from their Alexa cameras.  Having first started doing match-moved motion graphics in After Effects a few years ago, this project gave me a chance to really appreciate how much they have simplified that workflow with their improved, integrated camera tracker.  I was also pretty impressed with how easily I was able to grade this footage early in my workflow using Speedgrade without ever having to render anything until final output.
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